画1
The Painting1

2026年9月1日

油画，线香

30 × 40 cm

燃香装置

September 1, 2026

Oil on canvas, incense stick

30 × 40 cm

Incense-burning installation

将真实的烛台转化为一幅油画。
在画面未干燥时，一根真实的线香被插入画中的烛台。油画干燥后，线香被点燃，燃烧产生的烟与香灰进入画面场景，最后留下然香痕迹。
真实的线香进入绘画，也让时间进入画面。
Transforming a real candlestick into an oil painting.
While the painting was still wet, a real incense stick was placed into the candlestick depicted in the painting. Once the oil paint had fully dried, the incense stick was lit. Smoke and ash entered the painted scene, eventually leaving traces of the burning incense.
The real incense stick steps into the painting, and with it, time enters the image.

当烛台被画下来，它已经不再是一个可以被使用的烛台，而只是一个关于烛台的图像。线香却仍然是真实的。它进入的不是一个真实的物件，而是一个被描绘出来的空间。
于是，真实与图像在同一个画面中相遇。
线香的燃烧并不是对画面的描绘，而是真实发生在画面之上的过程。它带来的烟、气味、灰烬和时间，不属于绘画原本的语言，却逐渐成为画面的一部分。
原本被画出来的烛台因此获得了一次真实的使用。
而当线香燃尽，这次使用也结束了。留下来的不是一个关于燃烧的图像，而是燃烧曾经发生过的证据。
物件之间的关系被进一步推向了现实与图像之间。

Once the candlestick is painted, it is no longer a candlestick that can be used, but simply an image of one. The incense stick, however, remains real. It does not enter a real object, but a space that has been depicted.
Reality and image therefore meet within the same frame.
The burning of the incense is not a depiction of an action, but a process that actually takes place on the surface of the painting. The smoke, scent, ash, and passage of time it brings do not belong to the traditional language of painting, yet gradually become part of the image.
The painted candlestick is thus given a real use.
When the incense stick has completely burned away, that use also comes to an end. What remains is not an image of burning, but evidence that the burning once took place.
The relationship between the objects is pushed further, toward the space between reality and image.